"It is (often) the quiet gesture which carries the most significance - the one which suddenly directs the symphony."

— Mary Anne Radmacher (via observando)

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"Personally, I’m a mess of conflicting impulses—I’m independent and greedy and I also want to belong and share and be a part of the whole. I doubt that I’m the only one who feels this way. It’s the core of monster making, actually. Wanna make a monster? Take the parts of yourself that make you uncomfortable—your weaknesses, bad thoughts, vanities, and hungers—and pretend they’re across the room. It’s too ugly to be human. It’s too ugly to be you. Children are afraid of the dark because they have nothing real to work with. Adults are afraid of themselves.
Oh we’re a mess, poor humans, poor flesh—hybrids of angels and animals, dolls with diamonds stuffed inside them. We’ve been to the moon and we’re still fighting over Jerusalem. Let me tell you what I do know: I am more than one thing, and not all of those things are good. The truth is complicated. It’s two-toned, multi-vocal, bittersweet. I used to think that if I dug deep enough to discover something sad and ugly, I’d know it was something true. Now I’m trying to dig deeper."

— Richard Siken, Spork Editor’s Pages: Black Telephone (via cartographe)

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"You were the one, and you were the only one, and you were amazing."

Gia (1998)

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brand-upon-the-brain:

Boy Meets Girl (Leos Carax, 1984)